Joseph Millar

JOSEPH MILLAR’s poetry reflects his life as a telephone installer, commercial fisherman and single father. He received a Masters degreein poetry from Johns Hopkins University and is the author of two chapbooks, Slow Dancer and Midlife: (Passionate Lives: Eight Autobiographical Poem Cycles). He received a 2003 National Endowment for the Arts grant and now teaches at Oregon State.

In 1995, his poetry won the Montalvo Biennial Poetry Competition, placed second in the National Writer’s Union Competition judged by Philip Levine, and was selected by Carolyn Forche for honorable mention in the Jacaranda Review Poetry Contest. His poetry has been published in Prairie Schooner, DoubleTake, Manoa, Shenandoah, Ploughshares, Alaska Quarterly Review, New Letters and Many Mountains Moving. His first book, Overtime, was published in 2001 by Eastern Washington University.

Joseph recently gave up his job as a telephone installation foreman to teach and now works for the Oregon Writer’s Workshop, the Oregon State Poetry Association, Mt. Hood Community College and the Vancouver School of Arts and Academics.

He is at work on a full-length manuscript titled Dark Harvest, which was a finalist for the Carnegie Mellon Award and the National Poetry Series for a first book. His seminar, Poetry of The Workplace, will be available through Eastern Washington University’s Summer Writer’s Conference in Tacoma.

Dorianne Laux

Dorianne Laux, born in 1952 in Augusta, Maine, is of Irish, French and Algonquin Indian heritage. She began writing seriously in her early twenties, after her daughter was born. As a single mother, she worked as a housecleaner, gas station manager, TV Guide salesperson, cook in a sanitarium, and doughnut holer. She returned to school to earn a BA in English from Mills College in 1988 and for six years she worked in the Poets in the Schools program in Berkeley and Oakland. Eventually, she moved to Eugene to teach at the University of Oregon and is currently Associate Professor and Director of the University’s Program in Creative Writing.

Dorianne has published two collections of poetry, Awake and What We Carry, which was a finalist for the National Book Critics Circle Award. She also co-wrote The Poet’s Companion: A Guide to the Pleasures of Writing Poetry which was chosen as an alternative selection by the Book of the Month Club, Quality Paperbacks and Writer's Digest. Her poem, "The Shipfitter's Wife" was chosen by Robert Bly for inclusion in The Best American Poetry 1999. Her work can also be heard on National Public Radio's "The Writer's Almanac" hosted by Garrison Keillor.

Her third book, Music in the Morning, is scheduled for publication this year. Presently she is at work on a libretto with composer Wally Brill. As for honors, Dorianne won a Pushcart Prize for Poetry and fellowships from the MacDowell Colony and the National Endowment for the Arts.

When asked about the confessional nature of her poetry during C.K. Tower’s interview on the Perihelion website, Dorianne replied, "I am often afraid of how much I love my daughter, how much I trust my husband, how helpless I am in the midst of my own hatred and anger, how terrified I am of death. And so, I watch for the stories that will tell these feelings and thoughts, and sometimes it's not the whole story but merely an image: a boat moored to a dock, the gesture a stranger made before walking into a room. Then I confess what that meant to me using the many and varied resistances of poetry. As soon as you begin to pay as much attention to the language as to what you are trying to say, you've set a challenge for yourself that denies the simplicity of confession."

Verlena Orr

Why would a lawyer's wife work as a social worker in an inner city? Why would she stay married for nineteen years and do dinner parties on demand, but then walk away leaving behind affluence and comfort? Why is the ex-wife of a Court of Appeals judge spending her life writing poetry? Of what benefit is knowing how to ride horses, to shoot and to square dance? The answers to these and other questions will be found in the work of Verlena Orr.

Verlena is the author of two chapbooks, I Dance September Naked in a Dream (1988) and Woman Who Hears Voices (1998). Her poems appeared in a number of national literary journals, in Graining The Mare: An Anthology of Ranch Women Poems, and From Here We Speak, an anthology of Oregon authors. She received a BA from Albertson College in Idaho in 1961, a BA from Portland State, and an MFA from the University of Montana in 1984.

She has worked as a hired girl on a farm, as a secretary, social worker, landlord, and teacher for Portland Public School Talented and Gifted Program, Poetry in the Schools, and at Portland Community College.

An orphaned adult and Idaho farm and pasture owner, she prefers dancing in sleazy bars to gardening and reading, and spends most of her time smoking and writing poems. She cooks one day per year — Idaho-style fried chicken for Ann and Rick’s annual garden party potluck.

Carlos Reyes

Carlos Reyes is an Irish-American poet and translator. His books of poetry include The Shingle Weaver’s Journal, a finalist for the Elliston Prize; Nightmarks, and A Suitcase Full of Crows. He has also published nine chapbooks including The Windows, The Prisoner, The Orange Letters, At Doolin Quay, Open Doors, and most recently a translation of Edwin Madrid’s Puertas abiertas.

Hundreds of his poems appeared in national and international literary journals and anthologies including most recently, Let Us Drink To the River, an anthology of river poems, and O Poetry! Oh Poesía! Poems of Oregon and Perú. His poem, "Bridge of the World," appears along with other poetry on Max Cars and Tri-Met buses through Portland’s Poetry in Motion program sponsored by Literary Arts, Tri-Met and the Poetry Society of America.

Carlos recently completed a translation of José Martí’s Escenas norteamericanas (North American Scenes), a book which will be published in Havana, Cuba. And he has translated Poemas de la isla (Island Poems) by Canary Island poet Josephina de la Torre, scheduled for publication by Eastern Washington University Press.

Reyes has been a Yaddo Fellow, a fellow at the Fundación Valparaíso (Mojácar, Spain), and received an Oregon Arts Commission Individual Artist Fellowship for poetry. Since 1964, he has been the editor and publisher of Trash House Books, Inc. He is a founding editor of Hubbub: A Magazine of Poetry, and is currently on the editorial board of Ar Mhuin na Muice (On A Pig’s Back), a journal of Irish news, music and culture.

Richard Hoyt

Richard Hoyt is the author of twenty-one mysteries and thrillers; two under the alias of Nicholas van Pelt. His first novel, Decoys, a John Denson mystery, was published in 1980. Since then, he has published seven John Denson mysteries and eight James Burlane international thrillers.

Richard, born in Hermiston, Oregon, grew up on a small farm outside Umatilla, Oregon. His father was a moonshiner and a rodeo cowboy; his mother was manager of the school cafeteria. He has a Master of Science in journalism from the University of Oregon and a PhD in American studies from the University of Hawaii. He served as a counterintelligence agent for the United States Army and was a fellow in international editing and reporting at the Washington Journalism Center. He served briefly as a Washington correspondent for newspapers in the Pacific Northwest and was a reporter for two years for the Honolulu Star-Bulletin and three years for the Honolulu Advertiser. He taught journalism and mass media courses at the University of Maryland, College Park, and for six years at Lewis and Clark College in Portland.

In researching his thrillers, I learned that he has traveled to Ireland, Germany, Sweden, Finland, Denmark, Switzerland, France, Morocco, Mexico, Guatemala, Singapore, Indonesia, Thailand, Malaysia, Japan, Korea, Gibraltar, Canada, Jamaica, England, Portugal, Hong Kong, Brazil, the Soviet Union, the Netherlands, Spain, and Belize. His last overseas trip to he Philippines lasted over three years. In 1984, he rode Soviet trains from Nadhodka, near Vladivostok on the Sea of Japan to Finland. In 1987, he rode riverboats from the headwaters of the Amazon to the Atlantic Ocean.

Richard’s novel, Siege, won the American Mystery Award as the best espionage novel of 1987. His latest novel, Stomp, set in 1957, is an existential mystery and a coming of age story. It is largely autobiographical, based on Hoyt's growing up in Umatilla. The book deals with true love, a series of rapes, a bit of stalking, near-death train-proximity sex, a murder attempt (by the heroes), ruined lives, a body found after forty years, and the return of the exiled author in time for his appearance tonight, one more stop on an extended book tour.

Jane Glazer

Jane Glazer grew up in small-town Iowa, in a large family, among animals and books. Her father was a veterinarian; her mother an artist. Jane was widowed at 30 but went back to earn an MA in English Literature while raising three children. After a Fulbright year in Dublin, Ireland, and a two-year Peace Corps stint in South America, she taught in Eugene and Portland schools for twenty years. During that time, she began to publish her poetry in small journals.

Her first book of poems, Some Trick of Light, was a finalist for the Oregon Book Awards in 1994. Her work has been described as "poems of precise observation and social conscience, informed by an educated sensibility and a first-rate mind."

Poems from Some Trick of Light take us to Ireland, Russia, Italy, and Beijing. The first poems in her book are dramatic and provide description of foreign lands with painfully stark commentary. The book’s second section delves into family memories, deaths of grandparents, and the suicide of her husband. The poems are tender and unpretentious, with no trace of the melodramatic.

A second collection, Moles and Mausoleums, is ready for publication.

Kevin Sampsell

Kevin Sampsell is the force behind Future Tense Press of Portland, which received an Oregon Literary Arts grant in 1998. Future Tense is dedicated to publishing work by people often thought of as weirdoes or outsiders. As part of his promotion effort, Kevin organized the Future Tense Reading Series at Umbra Penumbra and produced a series of readings in bookstores and cafes that mixed the spoken word with music. Debuting this month, Kevin curated and hosted The Kamikaze Reading Series at the snazzy little theater and café called Raindog in North Portland.

Kevin’s own books include How To Lose Your Mind With The Lights On, The Patricia Letters, Children’s Book, Haiku You, and Invisible Radios: re-mixes, statistics, jokes, etc. A new short story collection, Stuck, is due out from Incommunicado Press in early 2000. His poems, collages and stories have appeared in many zines and journals.

Kevin is also a part-time book critic and writes reviews and articles for Plazm, Snipehunt, Anodyne, Willamette Week, Resonance, Besmirched, and Carbon 14. Plus, he works at the famed Powell’s City of Books in Portland where he schedules author appearances.

He has a four-year-old son Zach and is married to Ritah Parrish.

Ritah Parrish

Ritah Parrish has made a name as a humorous performance poet and in 1996 and 1997 was the queen of Portland’s poetry slam scene. Her work has been cited for its outrageous jocularity combined with unflinching details of brutality.

Her first book of poetry was Ribbed For Your Pleasure. She is also the author of the short story collection, Pink Menace, which contains an assortment of harsh examinations of human perversion written in a most engagingly droll way. Reviewers have said these stories are devilishly twisted views on our inner dilemmas and complex psychological issues without any hint of misery or angst. The characters just do what they must.

Ritah starred in the one-woman shows: I Think He’s A Sociopath But the Dance is Saturday Night, and Bite Down Hard. Her latest two-woman show, Bottomless, ended its Portland run last night.

Judith Arcana

JUDITH ARCANA is the founding director of the Union Institute Center for Women in Washington, D.C., and a professor of literature and women’s studies in the union’s Graduate School. She has also taught at Loyola University of Chicago, Columbia College, and The Prison Project at the Illinois State Reformatory for Women among many other places. She has participated in workshops at Fishtrap, Flight of the Mind, and Ragdale Retreat for Writers and Artists and has produced videotapes on feminine sexuality for the Union Institute Center for Women.

Judith is the author of Our Mothers’ Daughters, Every Mother’s Son, and Celebrating Nelly. Her most recent book is Grace Paley’s Life Stories, A Literary Biography.

Judith is a longtime teacher of writing and literature and is a prolific writer of articles, essays and speeches about women’s issues, including abortion, mother-blaming, ethnic and racial stereotypes. Her work has been published in the US, England, and Canada. She is a poet and story writer as well with work appearing recently in Nimrod, CALYX, The Temple and Sojourner, ZYZZYVA, and Fireweed: Poetry of Western Oregon, as well as Poetry Motel, 13th Moon, Rhino, Exit 13, and the 1996 contest issue of Passager. She also had recent work in the Cleis Press anthology Nice Jewish Erotica and the Ann Landers Encyclopedia.

She states,

I write for pleasure, I write to satisfy my own desire for writing, my longing for it; I write for an audience, I want to engage that audience, I want anybody who reads or hears my work to be taken into the words, the images, their rhythm and meaning. Performing my work is important to me, a source of joy and exhilaration, and of course offers one way I can actually contact my audience. When I read, I'm like any other live performer, putting out and responding to the vibe/energy.

Vern Rutsala

Vern Rutsala was born in 1934 and is a native of Idaho. He received his BA from Reed College and an MFA from the University of Iowa. Nine books of his poetry have been published, four chapbooks, and over 700 poems which have appeared in literary reviews and anthologies. He has won numerous prizes including the Carolyn Kizer Poetry Prize (twice), a Pushcart Prize, and fellowships from the Guggenheim Foundation, the Oregon Masters, and two from the National Endowment for the Arts. He received the Juniper Prize for his book, Little Known Sports, and won the Oregon Book Award in 1992 for Selected Poems.

Vern Rutsala is currently a professor of English at Lewis & Clark College.